DMIT: non-places and landscapes
Thinking about this image of Rebecca’s, and about what she/you wrote:
Thinking about this image of Rebecca’s, and about what she/you wrote:
Today sees the start of my journey in exploring the issues around how to engage better with young disabled musicians and artists aged 18-30.
We are the Drake Music In Translation (DMIT) commissioned artists Ailís Ní Ríain, Rebecca Key & Melanie Clifford.
Hello from DM London!
We’re getting ready for two exciting projects this week, both kicking off tomorrow morning.
Invisibility is a common problem in our work. Loads of people – including many in the music sector – simply haven’t heard of us; and if they have, their knowledge is sketchy at best.
I’ve read the Henley Review (no government researchers to brief me…) and I’m feeling very positive!
Coalitions are, obviously, much in vogue in this country at the moment. Despite the oncoming train that is the October 20th announcement on spending cuts, the public appears to be, in the main, relatively content with the Conservative/ Liberal pact.
What is music for? In a recent Q&A for the upcoming NAME conference, Dick Hallam, National Music Participation Director, was asked why he believed music education is important for all […]