What’s it like teaching BTEC Music in a special school? (Part 2)
First week back after half-term; Class 1 is still down on numbers – only one student present today (I’ll call him ‘Tom’) but he’s a fantastic musician.
First week back after half-term; Class 1 is still down on numbers – only one student present today (I’ll call him ‘Tom’) but he’s a fantastic musician.
Thinking about this image of Rebecca’s, and about what she/you wrote:
Today sees the start of my journey in exploring the issues around how to engage better with young disabled musicians and artists aged 18-30.
Last week Anna and I went over to Shape’s offices for a Speed Meeting Event that was focussed on Exploring Partnerships.
We are the Drake Music In Translation (DMIT) commissioned artists Ailís Ní Ríain, Rebecca Key & Melanie Clifford.
Hello from DM London!
We’re getting ready for two exciting projects this week, both kicking off tomorrow morning.
Invisibility is a common problem in our work. Loads of people – including many in the music sector – simply haven’t heard of us; and if they have, their knowledge is sketchy at best.
Music Mentoring programme in London Looking for one to one support in music making?